| background |
Born and educated in New Zealand. First degree BA Geography and Sociology, Victoria University, Wellington,
New Zealand, followed by a twenty-year career in children’s book publishing and multimedia in London and New York.
Positions included Editor, Editorial Director and Publishing Director. |
| art education |
| 2004–2010 |
PhD (fine art, practice-based), Central Saint Martins, University of the Arts, London |
| 2000–2002 |
MA Fine Art, Central Saint Martins College of Art & Design, London |
| 1996–1999 |
BA Fine Art (Hons), First Class, (UEA), University Campus Suffolk, Ipswich |
| awards |
| 2011 |
‘The Best Books of 2011’ selected by Photo-eye Magazine (fine art photography) |
| 2005 |
Arts Council England Award |
| 2003 |
Commissions East/East England Arts Award for Artists |
| 2003 |
Salthouse Harbour Competition commission |
| 2002 |
Short-listed The Observer Student Artist Competition |
| 2001 |
Prize winner Cable & Wireless Postgraduate Competition |
| 2000 |
Arts and Humanities Research Board award |
| 1999 |
Tom Taylor Award of Excellence (fine art) |
| 1999 |
First Prize Suffolk Craft Society Student Award (applied art) |
| residencies |
|
| 2012 |
Artist-in-residence (November), Cerro Tololo Inter-American Observatory (CTIO), La Serena, Chile |
| 2012 |
Artist-in-residence (May-June), National Optical Astronomy Observatory (NOAO) / Kitt Peak, Tucson, USA |
| 2010 |
Artist-in-residence (with PDC), Arc: I Draw for You, The Centre for Drawing, Wimbledon, London |
| 2009 |
Artist-in-residence, one-month online drawing residency, C4RD (Centre for Recent Drawing), London |
| 2009 |
Artist-in-residence (with Performance Drawing Collective, PDC), The Centre for Drawing, London |
| 2007/2008 |
Here Tomorrow residencies and exhibition (July-August), Lethaby Gallery, London |
| 2006 |
Artist-in-residence (April-May), Firstsite, Minories Art Gallery, Colchester |
| teaching + workshops |
| current |
(from 2008) Associate lecturer, Central Saint Martins College of Art & Design, London |
| current |
(from 2008) Tutor and co-founder, artist workshops, DrawEast, Suffolk |
| 2012 |
Facilitator, Art in the Making workshop, 6th World Youth Congress, Rio de Janeiro, Brazil |
| 2012 |
Death: Southbank Centre’s Festival for the Living, preparation & workshops with Kids Company, RFH, London |
| 2011-2012 |
Drawing tutor, University of the Arts London/ National Art & Design Saturday Club |
| 2011 |
My Life Illuminated, workshops & installation with Kids Company, Royal Festival Hall, London |
| 2007–2008 |
Artist consultancy and workshops, Kids Company, London |
| 2007 |
Demons and Angels exhibition and workshops with Kids Company, Shoreditch Town Hall, London |
| 2007 |
Guest artist, The In-between Time, sound drawing workshops, Firstsite, Colchester |
| 2002–2006 |
Part-time lecturer, BA Fine Art, University Campus Suffolk, Ipswich |
| 2003 |
Visiting lecturer, MA Art & Media Studies, University of Westminster, London |
| 2003 |
Tutor, art workshops, UN World Congress of Youth, Casablanca, Morocco |
| 2002 |
'The Big Arts Week', Arts Council/ BBC school workshops, Suffolk |
| solo exhibitions |
| 2010 |
Marking Time, research practice, Innovation Centre Gallery, Central Saint Martins, London |
| 2009 |
Marking Time Drawing, online exhibition, C4RD (Centre for Recent Drawing), London |
| 2009 |
Fragment: drawings and paintings 2003-2009, The Muse at 269/Drawing Room, London |
| 2006 |
Marking Time, Artist Space, Firstsite, Minories Art Gallery, Colchester |
| 2003 |
Aftermath, Ensign Gallery, Whitechapel, London |
| 2003 |
Transition, North House Gallery, Manningtree, Essex |
| selected group exhibitions + performances |
| 2013 |
Do You Remember - Or Weren't You There?, London Gallery West, University of Westminster, London |
| 2012-2013 |
Winter Print Show, North House Gallery, Manningtree |
| 2012 |
Again and Again and Again: serial formats and repetitive actions, Vancouver Art Gallery,
Line Dialogue V (performance drawing with Carali McCall), Vancouver, Canada |
| 2012 |
Surfaces: works on paper, Sput+Nik Gallery, Porto, Portugal |
| 2012 |
At Play 2012, The New Ashgate Gallery, Farnham, Surrey |
| 2011 |
Line Dialogue IV, performance drawing, VAM, Vancouver, Canada |
| 2011 |
Project 101, video installation by AMBruno, The Lab Gallery, New York, USA |
| 2011 |
Tensao (performance drawing with McCall), Antigo Tribunal da Boa-Hora, Lisbon, Portugal |
| 2011 |
Skype vs. Night Sky: a telematic drawing performance, Papay Gyro Nights Festival, Orkney, London, Australia |
| 2011 |
Guest curator, Waterline exhibition, Waterfront Gallery, Ipswich |
| 2010 |
Artists’ Books and Other Objects, North House Gallery, Manningtree |
| 2010 |
Arc: I Draw for You (group performance), The Centre for Drawing, Wimbledon, London |
| 2009 |
Joined Up: Contemporary Collaborative Drawing, Vault Gallery, Lancaster |
| 2009 |
Line Dialogue III (performance drawing with McCall), The Centre for Drawing, Wimbledon, London |
| 2009 |
10th Anniversary Show, North House Gallery, Manningtree |
| 2009 |
A Place Called Limbo, Crypt Gallery, St Pancras Church, London |
| 2008 |
Line Dialogue II (performance drawing with McCall), Liverpool Biennial 08 Independents, Liverpool |
| 2008 |
Wrapped and Encased, Wolstenholme Projects, Liverpool Biennial 08 Independents, Liverpool |
| 2008 |
Line Process Echo Repeat, Line Dialogue I (performance drawing with McCall), Lethaby Gallery, London |
| 2007 |
Encounters with Time, ongoing collaborative projects and exhibitions, various sites, London |
| 2006 |
Outside, five selected artists, installations in grounds of Cuckoo Farm Studios, Colchester |
| 2006 |
Beyond the Call of Duty, Town Hall Galleries, Ipswich |
| 2005 |
ARTAID 2005, Royal College of Art, London |
| 2005 |
Edge: Encounters with Merging and Dissolving Margins, Jerwood Space, London, |
| |
and North House Gallery, Manningtree |
| 2004 |
Taking a Line for a Walk, Firstsite, Minories Art Gallery, Colchester |
| 2004 |
Fine Art Open 2004, Hay Gallery, Colchester |
| 2004 |
Three Artists, QUODart, Brighton |
| 2003 |
Independence, Christian Boltanski project, South London Gallery, London |
| 2003 |
Souvenir, Transition Gallery, Hackney, London |
| 2003 |
Fresh Art, Business Design Centre, Islington, London |
| 2002 |
MA Fine Art degree show, Central Saint Martins College of Art and Design, London |
| 2002 |
Ford, Oxford House/Ashley Gardens Gallery, Bethnal Green, London |
| 2001 |
Martin, Spitz Gallery, Spitalfields, London |
| 2000 |
Artists in Essex 2000, Millennium exhibition, Waltham Abbey |
| artist book exhibitions |
| 2013 |
16th International Contemporary Artists' Book Fair, University of Leeds |
| 2012-13 |
Bound, touring exhibition, 'Divided We Fall', Leeds Art Library and UWE, Bristol |
| 2012 |
The London Art Book Fair, Whitechapel Gallery, London |
| 2012 |
15th International Contemporary Artists’ Book Fair, University of Leeds |
| 2011 |
The London Art Book Fair, Whitechapel Gallery, London |
| 2011 |
BABE (Bristol Artist Book Event), Arnolfini, Bristol |
| 2011 |
101, AM Bruno at Wild Pansy Project Space, Leeds |
| 2010 |
The London Art Book Fair, Whitechapel Gallery, London |
| 2009 |
Between Gallery and Bookshop, AM Bruno artist books, Bookartbookshop and IMTGallery, London |
| 2009 |
BABE (Bristol Artist Book Event), Arnolfini, Bristol |
| 2009 |
12th International Contemporary Artists’ Book Fair, University of Leeds |
| 2008 |
Artists’ Book Fair, Wolstenholme Projects, Liverpool |
| 2008 |
The Fourth Manchester Artist’s Book Fair, School of Art, MMU, Manchester |
| collections |
|
| Work in private and public collections in the UK, USA, Italy, Australia and New Zealand |
| Artist books acquired by the Tate Gallery Library and Archive, the Victoria & Albert Museum, Leeds Art Library and private collectors |
| writing + publications |
| 2012 |
‘On Duration’, Performance Research, vol.17/No.5, 0ctober, pp64-65, ISSN 1352-8165, Routledge, Oxford |
| 2012 |
Where Art and Astronomy Meet, NOAO Newsletter issue 106, September, Tucson, Arizona |
| 2012 |
Line Between:Becoming Drawing, conference paper, Drawing Out: 2012, March, UAL London / RMIT Melbourne |
| 2011 |
The Sense of Drawing, with Carali McCall, conference paper & UNIDCOM/IADE international publication, Lisbon |
| 2010 |
‘Drawn Together’ poster, Drawing Research Network Annual Conference, University of Brighton |
| 2010 |
Marking Time: investigating drawing as a performative process for recording temporal presence and |
| |
recalling memory through the line, the fold and repetition, PhD, April, CSM/University of the Arts London
|
| 2010 |
Arc: I Draw for You, joint paper by Performance Drawing Collective, January, Studio International |
| 2009 |
Drawn Together, joint paper by Performance Drawing Collective (M. Foá, J. Grisewood, B. Hosea, C. McCall),
|
| |
‘Tracey: Contemporary Drawing Research’, online journal, September issue, Loughborough University |
| 2002 |
Repeated Repetitions: a work in process, MA research paper, Central Saint Martins, London |
| 2001 |
Coming to Transience, September issue, ‘Arty’ fanzine, London |
| selected reviews + media |
| 2012 |
Winsor Gallery, Vancouver, Again and Again and Again: A Seriously Serial Exhibition at VAG, 10 August |
| 2012 |
Photo-eye Magazine, ‘The Best Books of 2011’, by Elizabeth Tonnard |
| 2007 |
‘Firstsite Papers’ Jane Grisewood: Marking Time by Katharine Stout (Tate Britain/The Drawing Room)
|
| 2006 |
ITV Anglia award-winning Coastal Inspirations, April, interview by Paul Gogarty |
| 2005 |
The Independent, Arts Review, Many ways to see the sea, 7 March, by Charlotte Cripps |
| 2003 |
BBC London Online, Jane Grisewood: Aftermath, May, edited by Will Cantopher |
